Doin’ time in Northern Sweden
In a few hours I will perform once again in Umeå, Sweden, a progressive city in the North of Sweden. I believe it is the fifth time I have been here, and arriving at the home of Alex & Noa Resare, I feel like I have come home. In fact, the past two days I have slept about 13 hours each night. Their home with their three children is a place where I can relax, recuperate, and just be myself (a person who likes to sleep 13 hours a night and then sit in bed and do my work.)
Tonight I will perform a variety show of sorts, “Doin’ Time with Peterson Toscano–Just when you thought it was safe to laugh.” I have done this show more and more the past two years, and have enjoyed being able to pick and choose from nearly a hundred different options of what I can present. Even though it is guaranteed that I will do some bits (Chad & Lorca from Queer 101 & The Identity Monologue) each show turns out different from the last with a clear theme emerging. Tonight’s show I will focus on sexism, misogyny, bodies, and strong women. Here is an outline of possible bits I will perform.
Doin’ Time in Umeå
Intro: Sweden is TOO progressive for my comedy. You all need to elect a racist, homophobic government so that my jokes will mean something (said sarcastically.) I also notice that the flight over alters my body. Once I get off the plane and walk among the Swedes, I am twice as fat as I was in the States. You are all so beautiful, naturally beautiful. Even your fat people here are fit. We could learn from your natural living to just learn to embrace ourselves for who we are.
1. Henry Kissinger had a boob job
2. scene from Doin’ Time in the Homo No Mo Halfway House (Chad & Vlad intro)
3. scenes from “Queer 101–Now I Know My gAy,B,Cs” Chad &Lorca, Earthel
4. scene fromRe-Education of George W Bush–Dr. Meadows does Sodomy
5. scene from I Can See Sarah Palin from my Window–NEW monologue about woman with “issue of blood”
6. scene(s) from Transfigurations–Deborah and possibly man with pitcher of water (I will do all of Transfigurations on Sunday, so I don’t need to do it all tonight)
7. Stand up: some cancer comedy. Don’t you hate it when your mom gets lung cancer? People ask such stupid questions. “Did she smoke?” WTF etc
8. Comedy sketch: Marvin & Samson or How Marvin “did it” kinda
9. Vlad and his superpower. Invisibility can be complicated
10. Identity Monologue
Chances are I will not get to all of this and in fact may end up doing some very different bits. A lot of it depends on the audience. Part of doing solo performance work requires building a dynamic relationship with one’s audience. They give me energy and direction as I share my mind and heart. A bond occurs, often unique from audience to audience, and the show and my performance gets influenced by that bond and our shared needs, interests, and personalities. What I love about LIVE solo performances is that truly anything can happen. And often I discover new material, new jokes, new insights that I incorporate into the act during a future performance, an imprint of that one audience on the enduring work.
I imagine this happens a lot with teachers in the classroom who present some of the same lessons year after year or pastors who repeat sermons (come on, you can confess that you recycle ministerial material.) Jazz musicians have a long history of improv and immediate creation in front of a live audience. There is something magical about the whole thing. If I think about it, I see it is also scary, so I won’t think too much about it. Instead I will rehearse rehearse rehearse and have the words roll around my mouth and tongue and let my body shape shift into characters very different (and some not so different) from me.
I’ll let you know how it goes…