Today I am working on an essay for a British religious education publication. They asked me to explain my view of Joseph in Genesis as gender non-conforming, and how I suggest religious education instructors teach it to their students.
For me unearthing gender and sexual minorities in the Bible is essential work. These overlooked characters remind me of the many people marginalized in the world today.
Of course some people chose to fly under the radar for good reason. In some places it is perilous to be open about being LGBTQ. Just last month police raided the Queer Kampala Film Festival where my Transfigurations movie along with many others was supposed to screen. I heard reports that no one was injured or arrested. They got out just in time, but this is not the first time LGBTQ people in Uganda have been targeted by authorities.
I am still editing my piece on Joseph and why I think it is important to bring out of the shadows gender outlaws in the bible. I have been mulling over one line I wrote:
We live with mysteries inside of us we come to understand over time, and if we are willing, we sometimes share these with others.
As I reflect over 2017, I have been sitting with some of the mysteries inside of me. I wrote a memoir that sits in my documents; I am not sure if I am ready or willing to release it into the wild. Perhaps I am waiting to better understand myself. It is also true that some things are too precious to share publicly.
One goal for 2018 is to screen the performance version of the Transfigurations movie at festivals in North America and beyond. This is different from the version that most people have seen. I will release this version under the title, Transfigurations–Gender Outlaws in the Bible. Description:
A disciple on a pilgrimage spends the night with strangers and tells stories of gender and sexual minorities in the Bibles. As the narrator reveals the many gender non-conforming Bible characters, this one has to decide if a more personal disclosure brings death or life?
In the performance I never appear as myself. I don’t explain my interpretations. Instead it is the story of an unnamed disciple. Woven into the narrative are quotes from the Gospel of Thomas.
It is an interesting Gospel for what is familiar to many of us–sayings that appear in Mark and Matthew–and what is so different. Many of these sayings have to do with identity. Like this one:
Jesus said to them, “When you make the two into one, and when you make the inner like the outer and the outer like the inner, and the upper like the lower, and when you make male and female into a single one, so that the male will not be male nor the female be female, when you make eyes in place of an eye, a hand in place of a hand, a foot in place of a foot, an image in place of an image, then you will enter [the kingdom].”
The main character quotes from Thomas’ gospel and these sayings serve a thread to the performance version of the film.
Most people will see the lecture version, which makes no reference to Thomas’ gospel. I imagine this is the version that will be most helpful to Christians trying better understand gender and sexual minorities in the Bible. The performance version though is more artistic with a dramatic ending.
As I write this, I am also considering a theme for the year. My friend, the writer Shirley McMillan (who has a new book out, The Unknowns, which I highly recommend) tells me that she sets a theme for the year which serves as an affirmation of sorts.
I have been thinking of what that might be for me. One thought I am toying with is: Remember Who You Are.
Yeah, working on that…
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